It is a place where foreign tourists run the drug trade, with the help of the local population. Such "recruitment" is Trucks (Prateik) desperate for a few dollars and a ticket to India. Its formation is not clear - especially to his family that is represented by a small number of women willing to sing and dance, but does not give a single dialog.

The names of the characters (an important aspect of characterization) are "confused" without "real name" - the bonds are called trucks, Joki, and Zoe, the name of the CP is Kamat, and cookies are bad Lors Barbosa and Miguel.

Yup Barbosa leads the entire show, but remains elusive and mysterious. Kamat Shoot Cop is the web of drugs of Goa, and its determination is explained, however, a background story. So now he must find Barbosa. The starting point is set, the action begins.

Stuff to help the hiring of two employees of trust, and the trio began working to clear drug-sensitive fuel Goa. Equipment while also finding time to sing an elegant piece. The movie thing - here's a song the song, any song!

Deepika Dum Dum Maaro wait with some trepidation. The bland, bland remix of the iconic song from Dum Dum Maaro you will instantly feel uncomfortable, the (many) big plans Deepika's work might comfort some short skirt. When it is finally over, the film moves in the final.

Exhumation of mystery Barbosa will not find someone a standing ovation. But the final is not bad either.

Director Rohan Sippy (Bluffmaster), apparently believes that the Indian public is crazy about feelings, and injects a dose whenever he can (similar to the style of 80th century film). Sippy requires visions of dead people to make white look, smiling blissfully. These companies are adding an emotional element "is a strange thing with the film's atmosphere, and is set only for the viewer.

In addition, both the story of each character begins to present itself, there is no continuity in the second half.

Amit Roy cinematography and clever editing Aarif Shaikh (blocking one side from the delay) is fun. Sippy, however, trying too hard to make each style frame heavy and seems to work.

The dialogue is a mixture: there are a few nice lines and curious. For example, there are lines with a set of words spoken by the character, since it is an unintentional pun - After "You Chahta Hai na ban hostess for the ho raha hai nahin off." a ride on the famous Bangla Gaadi-Maa dialogue in "Maa" is Punnen in the word, but it seems that the most inopportune moment (the person who wrote this dialogue has his life in danger and no joking). If the attempt was annoyed by the black humor, which lost on the viewer.

Performance remains strong point. Abhishek Bachchan has many police pat cool and reiterates his act with the same charm Dhoom slow and low. Bipasha Basu gives a fair return. Prateik is a pleasure but it exaggerates the act of cowardice. Govind Namdeo is excellent and leaves a mark. Aditya Pancholi in fact a wicked looking low, but not very exciting. Rana Dugabatti well.

Goa, because of its crime show, is a place that only appears calm. In this context, the Government of Goa, is unlikely to protest against an unfair rule.

Dum Dum Maaro worth a visit for the glimpse at the seamier side of Goa, but to expect anything other than the Bollywood-style thrills and action will leave you disappointed.